Publication List
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Kishore, V. (2022). The Caste Blindness of Bollywood NRI Genre Films. Senses of Cinema.
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Xu, J., Donnar, G., & Kishore, V. (2021). Internationalising Celebrity Studies: turning towards Asia. Celebrity Studies, 12(2), 175-185. doi:10.1080/19392397.2021.1912069
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Kishore, V. (2020). The Bombay Talkies - A curated segment for Cineaste International Film Festival of India (CIFFI) 2020. In Cineaste International Film Festival of India 2020 - The Bombay Talkies & the Australia-India Connection! (No. Of Pieces: 3 MP4 files). NOIDA, India: Delhi Metropolitan Education.
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Kishore, V., & Sehrawat, K. (2020). Pariza's Lockdown Diary 2020. (No. Of Pieces: MP4 File). Melbourne, Vic.: Vikrant Kishore & Kirti Sehrawat.
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Kishore, V. (2019). Purulia Chhau – (A collection of films analysing history, practice and aesthetics of Chhau dance). In International Conference on Indigenous Languages, Traditional Music and Dance within an Intercultural Performance (No. Of Pieces: Format: Video
1. Film Title: Dance of the Gods (duration 33 minutes)
2. Film Title: Mahisasur Mardini (Slaying of the Demon Mahisasur) (duration 6 minutes)
3. Film Title: The Rasa-aesthetics of Purulia Chhau Masks (duration 10 minutes)
Films directed and produced by Vikrant Kishore). Cinéma de Gannat Le Chardon, Gannat, France: International Conference on Indigenous Languages, Traditional Music and Dance within an Intercultural Performance.
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Kishore, V., & Saxena, A. (2019). Cineaste International Film Festival (Australian Film Showcase Segment). In Cineaste Film Festival of India! (No. Of Pieces: Film Festival). Noida, India: Delhi Metropolitan Education and Deakin University. Retrieved from http://ciffi.dme.ac.in/
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Kishore, V. (2019). The utilisation of Indian folk dance forms in Bollywood - Hybridisation or exploitation?. In S. Bala (Ed.), Changing Trends of Indian Cinema (pp. 62-88). New Delhi, India: Kanishka Publishers.
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Cumming, J., & Kishore, V. (2019). Reinventing Sunny Leone: From a porn star to a Bollywood Star!. In A. Saxena, & V. Kishore (Eds.), Indian Cinema: filmic content, social interface and new technologies (pp. 50-72). New Delhi, India: Kanishka Publishers.
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Kishore, V., & Saxena, A. (2019). Indian cinema : filmic content, social interface and new technologies. New Delhi, India: Kanishka Publishers.
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Kishore, V. (2019). Indian Cinema - Filmic Content, Social Interface and New Technologies: An Overview!. In V. Kishore, & A. Saxena (Eds.), Indian Cinema - Filmic Content, Social Interface and New Technologies (pp. xvii-xxix). New Delhi, India: Kanishka Publishers.
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Kishore, V. (2018). ZORENKA - At the International Folklore Festival of Gannat!. In V. Kishore (Ed.), 45th Festival Du Gannat, Le Cultures Du Monde, Gannat 18-28th July 2018 (No. Of Pieces: 1 .mov file). France: Association Nationale Cultures Du Monde, Gannat, France.
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Kishore, V. (2018). Australian-Indians: Making a Difference. (No. Of Pieces: Online Videos (web-series)). Melbourne, Vic.: www.sbs.com.au.
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Kishore, V. (2018). Choreographing fantastic spectacles: song and dance sequences in Bollywood cinema. In A. Saxena (Ed.), Nationalism, ethnicity and media ethics (pp. 340-363). New Delhi, India: Kanishka Publishers and Distributors.
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Kishore, V. (2016). Dance of the Hindu Gods to the Western electronic beats: the Bollywoodisation of Purulia style of Chhau dance. In A. Kondratova (Ed.), CID 2017 : Proceedings of the 47th World Congress CID at UNESCO on Dance Research (pp. 82-97). St Petersburg, Russia: CID at UNESCO, International Dance Council - Conseil International de la Danse, Saint – Petersburg Section of CID at UNESCO.
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Kishore, V. (2017). It's My Desi Life!. (No. Of Pieces: Online Videos (web-series)). Melbourne, Australia: www.sbs.com.au.
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Title: Dancing to the Tunes of Bollywood (Part I)
Creator(s): Kishore V
 Year presented: 2017
 Year created: 2014
 Description of moving image: 24 min. Digital Short Documentary
 Publisher: Vikrant Kishore
 Place of publication: Melbourne, Vic.
 Keyword(s): Bollywood, Indian Cinema, Dance, Music, Culture, Screen Culture

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Title: Dancing to the Tunes of Bollywood (Part 2)
Creator(s): Kishore V
 Year presented: 2017 
Year created: 2017
 Description of moving image: 27.30 min. Documentary Film
 Publisher: Vikrant Kishore 
Place of publication: Melbourne, Vic.
 Keyword(s): Indian Cinema, Folk Culture, Traditional, Culture, Cultural Studies, Cross Culture, Bollywood, Intangible, Popular Culture, Impact, Representation, Media, Dance, Music
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Castillo Rojas, A., Kishore, V., & Patra, P. (2016). Indian Stories, Australian Screens - An International Conference and Film Festival of Indian Cinema (No. Of Pieces: This film festival was organised under the aegis of Communication, Politics and Culture Research Centre, RMIT) [Exhibition]. Melbourne, Vic.: RMIT University. Retrieved from https://www.rmit.edu.au/events/all-events/conferences/2016/december/indian-stories-australian-screen
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Kishore, V., Banerjee, A., & Nadkarni, N. (2016). Dance of the Hindu Gods – A Multimedia Exhibition (No. Of Pieces: Multimedia Exhibition) [Exhibition]. Melbourne, Vic.: Vikrant Kishore. Retrieved from https://www.youtube.com/watch?v=6SC-iwarrCc
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Kishore, V., Sarwal, A., & Patra, P. (2016). Salaam bollywood: Representations and interpretations. doi:10.4324/9781315625720
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Kishore, V., Sarwal, A., & Patra, P. (2016). Salaam Bollywood : introduction. In V. Kishore, A. Sarwal, & P. Patra (Eds.), Salaam Bollywood : representations and interpretations (pp. 1-8). Abingdon, Eng.: Routledge.
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Kishore, V., Sarwal, A., & Patra, P. (2014). Introduction. In Bollywood and its other(s) : towards new configurations (1st ed., pp. 1-10). London, Eng.: Palgrave Macmillan. doi:10.1057/9781137426505_1
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Kishore, V., & Kerrigan, S. (2016). Designing the song and dance sequences: exploring Bollywood’s cinematic creativity. In V. Kishore, A. Sarwal, & P. Patra (Eds.), Salaam Bollywood representations and interpretations (pp. 115-137). Abingdon, Eng.: Routledge.
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Kishore, V., Sarwal, A., & Patra, P. (2016). Bollywood and its other(s): Towards new configurations. London, Eng.: Palgrave Macmillan. doi:10.1057/9781137426505
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Kishore, V. (2014). From Real to Reel Folk Dances of India in Bollywood Cinema.
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Kishore, V. (2014). Bollywood vamps and vixens: representations of the negative women characters in Bollywood films. In M. Hedenborg-White, & B. Sandhoff (Eds.), Transgressive womanhood: investigating vamps, witches, whores, serial killers and monsters (pp. 141-151). Oxford, Eng.: Inter-Disciplinary Press.
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Kishore, V. (2014). Analysing the “Festival Les Cultures Du Monde” of Gannat as a Site for Celebrating Cultural Diversity!. In 37th World Dance Research Congress Conference Proceedings (pp. 1-19). Athens, Greece: International Dance Council (CID), UNESCO.
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McIntyre, P., Davis, B., & Kishore, V. (2014). The systems model of creativity and Indian film: a study of two young music directors from Kerala, India. In V. Kishore, A. Sarwal, & P. Patra (Eds.), Bollywood and its other(s): towards new configurations (pp. 110-129). London, Eng.: Palgrave Macmillan. doi:10.1057/9781137426505_8
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Kishore, V. (2014). 'Dil Dance Maare Re' Bollywoodisation of the Indian folk dance forms. In V. I. K. R. A. N. T. Kishore, A. Sarwal, & P. Patra (Eds.), Bollywood and its other(s): towards new configurations (pp. 86-109). London, Eng.: Palgrave Macmillan. Retrieved from https://www.palgrave.com/gp/book/9781137426499
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Kishore, V., Sarwal, A., & Patra, P. (2014). Bollywood and Its Other(s) Towards New Configurations Introduction. In V. Kishore, A. Sarwal, & P. Patra (Eds.), BOLLYWOOD AND ITS OTHER(S): TOWARDS NEW CONFIGURATIONS (pp. 1-10). PALGRAVE.
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Kishore, V. (2013). Depictions of Eroticism and Sexuality in the "Rain" Song and Dance Sequences of Bollywood Cinema.. In P. Drummond (Ed.), The London Film and Media Reader 2: The End of Representation (Vol. 2, pp. 145-153). London: The London Symposium on behalf of Academic Conferences London Ltd..
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Kishore, V. (2013). Sirens, coquettes and vamps—the sexualized and eroticised representation of women in the Indian reality series “Bigg Boss 5”. International journal of communication development, 3(2), 1-8.
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Kishore, V. (2011). Amitabh Bachchan: from ‘angry young man’ to ‘flirtatious old man’: changing representations of masculinity in Bollywood!. International journal of communication development, 1-2, 3-9.